Complete works

2026 · Open instrumentation / electronic version

Peculiars, 1

Three distinct voices interact within a direct A–B–A form across acoustic, electronic and openly instrumented possibilities.

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Electronic version

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One possible realisation

This excerpt shows the three voices in one notated realisation. Other instrumental combinations can be developed from the same structure.

Watermarked score excerpt from Peculiars, 1 showing three independent voices
Score excerpt · one possible realisation · Watermarked perusal copy
Year
2026
Forces
Open instrumentation / electronic version
Duration
c. 2′40″
Instrumentation
Three voices; open instrumentation adaptable to the available players, or fixed electronic realisation

Programme note

Peculiars, 1 is a structurally direct A–B–A work organised around the interplay of three distinct voices. Each voice maintains its own register, pace and gestural profile; the form emerges from their changing alignments, interruptions and degrees of mutual resistance. When the opening material returns, its relationships have been altered by the contrasting centre, so that recurrence functions less as restoration than as a change in perspective.

The work is a precursor to Leakage and an early experiment in bringing acoustic and electronic sound together inside a DAW. Notated instrumental behaviours and digitally constructed timbres occupy the same compositional space. Where Leakage later separates such materials into two sonic rooms that resist assimilation, Peculiars, 1 allows them to coexist within a single three-voice mechanism.

Peculiars, 1 exists in several possible forms. It can be heard as a complete electronic realisation or performed using open instrumentation adapted to the available players. These are parallel manifestations of the same structure rather than a definitive version and its arrangement. Scores and adaptation for particular forces are available by enquiry.

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